{"id":10151,"date":"2018-12-23T06:00:24","date_gmt":"2018-12-23T06:00:24","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=10151"},"modified":"2018-12-17T11:52:35","modified_gmt":"2018-12-17T11:52:35","slug":"galicia-e-os-galegos-na-poesia-castela-cv-unha-poeta-venezolana-enriqueta-teran","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=10151","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1 CV. Unha poeta venezolana: Enriqueta Ter\u00e1n"},"content":{"rendered":"<p style=\"text-align: justify;\"><i><b><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/12\/fotonoticia_20171219213530_640.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-10153\" alt=\"fotonoticia_20171219213530_640\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/12\/fotonoticia_20171219213530_640-300x151.jpg\" width=\"300\" height=\"151\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/12\/fotonoticia_20171219213530_640-300x151.jpg 300w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/12\/fotonoticia_20171219213530_640.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Rom\u00e1n Ar\u00e9n. <\/b><\/i>Que pouco sabemos da literatura venezolana os lectores com\u00fans. Se nos sacan dun vago recordo de Rufino Blanco Fombona e de <i>Las lanzas coloradas <\/i>de A. Uslar-Pietri, pouco m\u00e1is sabemos; o que v\u00e9n amosar que escribir nunha lingua de centos de mill\u00f3ns de usuarios non garante maior difusi\u00f3n. <!--more-->Lendo unha das boas biograf\u00edas que a literatura galega ten xa, <i>Vivir, unha aventura irrepet\u00edbel <\/i>(2011) de Mercedes Queixas Zas, a protagonista, M\u00aa do Carme Kruckenberg, recentemente falecida, lembra, entre as s\u00faas amizades americanas, a poeta venezolana Ana Enriqueta Ter\u00e1n (Valera, 1918) e o poema que dedicara a Rosal\u00eda de Castro, por desgraza incompleto, e as\u00ed o reproduzo:<\/p>\n<p style=\"text-align: justify;\">Rosal\u00eda ca\u00edda y levantada,\/de mirto a mirto y de laurel fecundo\/hasta la llama viva de Teresa.\/Rosal\u00eda umbral de la belleza,\/Rosal\u00eda de llanto por el mundo\/y delirio sin fin por mi cabeza.<\/p>\n<p style=\"text-align: justify;\">Tam\u00e9n \u00e1 poeta viguesa lle dedicou un poema, do que anota s\u00f3 o comezo:<\/p>\n<p style=\"text-align: justify;\">Y no mirarte y no verte\/por girasoles eternos\/con rostros en los narcisos te miro\/pero no vuelvo.<\/p>\n<p style=\"text-align: justify;\">Ana Enriqueta Ter\u00e1n comezou a s\u00faa andaina de poeta nunha li\u00f1a neocl\u00e1sica con libros como <i>Al norte de la sangre <\/i>(1946), <i>Presencia terrena <\/i>(1949) e <i>Verdor secreto <\/i>(1949) para logo publicar <i>Testimonio <\/i>(1954) e acercarse ao verso libre e ao poema en prosa con <i>Libro de los oficios <\/i>(1975) e <i>M\u00fasica con pie de salmo <\/i>(1985). Outras obras s\u00faas son <i>De bosque a bosque <\/i>(1970) e <i>Casa de hablas <\/i>(1991).<\/p>\n<p style=\"text-align: justify;\">E xa que citamos a Rufino Blanco Fombona (1874-1944), o m\u00e1is cosmopolita dos autores venezolanos, que mesmo escribiu en franc\u00e9s, c\u00f3mpre anotar que co\u00f1eceu Galicia e recolleu as impresi\u00f3ns do noso pa\u00eds en <i>Por los caminos del mundo <\/i>(1926): \u201c\u00a1Qu\u00e9 pa\u00eds tan encantador el pa\u00eds gallego! Y del pa\u00eds, el paisaje&#8230; Va uno como entre \u00e9glogas de Virgilio, admirando idilios de Te\u00f3crito\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. Que pouco sabemos da literatura venezolana os lectores com\u00fans. Se nos sacan dun vago recordo de Rufino Blanco Fombona e de Las lanzas coloradas de A. Uslar-Pietri, pouco m\u00e1is sabemos; o que v\u00e9n amosar que escribir nunha lingua de centos de mill\u00f3ns de usuarios non garante maior difusi\u00f3n.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[10,28,1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/10151"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10151"}],"version-history":[{"count":2,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/10151\/revisions"}],"predecessor-version":[{"id":10154,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/10151\/revisions\/10154"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10151"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}