{"id":10586,"date":"2019-04-22T06:00:52","date_gmt":"2019-04-22T06:00:52","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=10586"},"modified":"2019-04-02T08:46:38","modified_gmt":"2019-04-02T08:46:38","slug":"galicia-e-os-galegos-na-poesia-castela-cxiii-humor-e-vangarda-francisco-vighi","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=10586","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1. CXIII. Humor e vangarda: Francisco Vighi"},"content":{"rendered":"<p align=\"justify\"><i><b><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/122.-Fco.-Vighi-Nuevos-versos-viejos.-Bibl.-ASR.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-10587\" alt=\"122. Fco. Vighi, Nuevos versos viejos. Bibl. ASR\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/122.-Fco.-Vighi-Nuevos-versos-viejos.-Bibl.-ASR-195x300.jpg\" width=\"195\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/122.-Fco.-Vighi-Nuevos-versos-viejos.-Bibl.-ASR-195x300.jpg 195w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/122.-Fco.-Vighi-Nuevos-versos-viejos.-Bibl.-ASR-668x1024.jpg 668w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/122.-Fco.-Vighi-Nuevos-versos-viejos.-Bibl.-ASR-900x1379.jpg 900w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/122.-Fco.-Vighi-Nuevos-versos-viejos.-Bibl.-ASR.jpg 1044w\" sizes=\"(max-width: 195px) 100vw, 195px\" \/><\/a>Rom\u00e1n Ar\u00e9n. <\/b><\/i> O acercamento de Valle-Incl\u00e1n \u00e1s vangardas con<i> La pipa de Kif<\/i> (1919), e m\u00e1is concretamente ao Ultra\u00edsmo con \u201cEst\u00e9tica de la mujer de color\u201d, provocou as iron\u00edas de Risco e outros intelectuais coet\u00e1neos. Entre estes estaba Francisco Vighi (1890-1962), enxe\u00f1eiro industrial e poeta, que \u00e1s veces asinaba \u201cBenito Baranda\u201d. Comezou como poeta postmodernista, pasando logo ao ultra\u00edsmo, movemento no que salientou pola calidade e humor. Fixo hai-kais e caligramas e s\u00f3 recolleu a s\u00faa obra en 1959, <i>Versos viejos. <\/i>Republicano, estivo uns meses no c\u00e1rcere e uns anos depurado como profesor, foi moi amigo de Ortega y Gasset, Unamuno, G\u00f3mez de la Serna e Valle-Incl\u00e1n e foi Eugenio Montes quen fixo a s\u00faa necrol\u00f3xica.<!--more--> En 1984 apareceron os <i>Nuevos poemas<\/i> e en 1995 Trapiello compilou a poes\u00eda completa en <i>Nuevos versos viejos. <\/i>Jes\u00fas Casta\u00f1\u00f3n e Casilda Ord\u00f3\u00f1ez estudaron a s\u00faa figura. Non moi presente nas antolox\u00edas, si o est\u00e1 nas de Federico de On\u00eds (1934), Fuentes Florido (1989) e Arturo Ramoneda (1995). Colaborara nas revistas galegas &lt;Alfar&gt; e &lt;Ronsel&gt;. O poema m\u00e1is apreciado pola cr\u00edtica \u00e9 \u201cTertulia\u201d, publicado en &lt;Grecia&gt; en setembro de 1920, no que aparece Alcaide de Zafra, Llovet, Le\u00f3n Felipe, Lasso de la Vega, Guillermo de Torre e Valle-Incl\u00e1n na derradeira estrofa:<\/p>\n<p align=\"justify\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/solana-Lan-tertuli-del-acf\u00e9-pombo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-10588\" alt=\"solana Lan tertuli del acf\u00e9 pombo\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/solana-Lan-tertuli-del-acf\u00e9-pombo-300x232.jpg\" width=\"300\" height=\"232\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/solana-Lan-tertuli-del-acf\u00e9-pombo-300x232.jpg 300w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/03\/solana-Lan-tertuli-del-acf\u00e9-pombo.jpg 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Discusi\u00f3n sin fin\/sobre si es ultra\u00edsta Valle-Incl\u00e1n\/que si patat\u00edn\/que si patat\u00e1n.\/En el mostrador suena un timbre trin.\/trin&#8230; trin&#8230; triii\u00edn&#8230;\/unos pocos pagan y todos se van.\/&#8230;Silencio, sombra, cucarachas bajo el div\u00e1n.<\/p>\n<p align=\"justify\">A tertulia do t\u00edtulo \u00e9 a de Pombo, aque fundou a car\u00f3n de G\u00f3mez de la Serna, que incl\u00fae nos seus <i>Retratos contempor\u00e1neos.<\/i> Tam\u00e9n Sainz de Robles reivindicou a a s\u00faa poes\u00eda e Gonz\u00e1lez Ruano lembrouno nas s\u00faas <i>Memorias.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. O acercamento de Valle-Incl\u00e1n \u00e1s vangardas con La pipa de Kif (1919), e m\u00e1is concretamente ao Ultra\u00edsmo con \u201cEst\u00e9tica de la mujer de color\u201d, provocou as iron\u00edas de Risco e outros intelectuais coet\u00e1neos. Entre estes estaba Francisco Vighi (1890-1962), enxe\u00f1eiro industrial e poeta, que \u00e1s veces asinaba \u201cBenito Baranda\u201d. Comezou como poeta postmodernista, &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=10586\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Galicia e os galegos na poes\u00eda castel\u00e1. CXIII. Humor e vangarda: Francisco Vighi<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[7,10,28],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/10586"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10586"}],"version-history":[{"count":1,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/10586\/revisions"}],"predecessor-version":[{"id":10589,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/10586\/revisions\/10589"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10586"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}