{"id":11492,"date":"2019-12-02T06:00:35","date_gmt":"2019-12-02T06:00:35","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=11492"},"modified":"2019-11-27T11:08:57","modified_gmt":"2019-11-27T11:08:57","slug":"unha-habitacion-propia","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=11492","title":{"rendered":"Unha habitaci\u00f3n propia"},"content":{"rendered":"<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><em><strong><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/51sU2FpNDiL._SX326_BO1204203200_.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-11493\" alt=\"51sU2FpNDiL._SX326_BO1,204,203,200_\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/51sU2FpNDiL._SX326_BO1204203200_-197x300.jpg\" width=\"197\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/51sU2FpNDiL._SX326_BO1204203200_-197x300.jpg 197w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/51sU2FpNDiL._SX326_BO1204203200_.jpg 328w\" sizes=\"(max-width: 197px) 100vw, 197px\" \/><\/a>C\u00e9sar Alen.\u00a0<\/strong><\/em>Este libro de Virginia Woolf est\u00e1 considerado un dos primeiros textos feministas, xunto ao imprescindible <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>Segundo sexo<\/i><\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> de Simone de Beauvoir. A literatura \u00e9 un espazo perfecto de representaci\u00f3n te\u00f3rica. Nos libros refl\u00edctense as condici\u00f3ns da sociedade, as s\u00faas distintas perspectivas vitais, os rexistros pol\u00edticos e as tendencias ideol\u00f3xicas. Foi precisamente un grupo de profesoras, escritoras, editoras as que, tras analizar<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">en<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> a literatura da \u00e9poca, detectaron o papel marxinal da muller, a s\u00faa escasa presenza. Tras esa detecci\u00f3n dunha evidencia, ben escondida nunha literatura eminentemente dominada polos homes<!--more-->, empezan a xurdir mulleres que se dedican a analizar este fen\u00f3meno. O enfoque non parte dunha soa disciplina, posto que a literatura \u00e9 poli\u00e9drica como a propia sociedade. As\u00ed, converxen a filosof\u00eda, a psicolox\u00eda, <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">a <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">pol\u00edtica e por suposto a teor\u00eda literaria, na que en certo modo, se <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">congregan <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">as demais. A frustraci\u00f3n das estudosas dos feitos literarios queda patente. Agora necesitan un enfoque epistemol\u00f3xico, unha visi\u00f3n interdisciplinaria. As condici\u00f3ns est\u00e1n ditadas pola pol\u00edtica, todo der\u00edvase da pol\u00edtica, por iso, en primeira instancia a cr\u00edtica feminista adopta unha visi\u00f3n pol\u00edtica.<\/span><\/span><\/p>\n<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Nunha <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>Habitaci\u00f3n propia<\/i><\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">, Woolf exp\u00f3n o problema que sup\u00f3n para unha muller de finais do s\u00e9culo XIX e principios do XX, non dispo\u00f1er dunhas condici\u00f3ns materiais adecuadas para <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">de<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">dicarse \u00e1 escrita. Esas necesidades pasan por unha habitaci\u00f3n propia, \u201ccoa s\u00faa chave\u201d, \u00e9 dicir, privacidade e soidade para concentrarse, un espazo persoal. Ademais dunha asignaci\u00f3n que a escritora inglesa estimaba en 500 libras da \u00e9poca. Se non hab\u00eda m\u00e1is escritoras era porque as circunstancias <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">llelo <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">imped\u00edan. Por suposto, \u00e9 necesario un exercicio de contextualizaci\u00f3n. Naquela \u00e9poca a maior\u00eda das mulleres ti\u00f1an un campo de actividades moi restrinxido. O home dominaba todas as \u00e1reas de creatividade, pol\u00edticas e culturais. Ti\u00f1an un nivel de exposici\u00f3n absolutamente invasivo. Todos os postos de relevancia estaban copados polos homes. Simon de Beauvoir xa o defin\u00eda na s\u00faa obra fundacional <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>O segundo sexo<\/i><\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">, cando di: \u201co home \u00e9 o un, e a muller o outro\u201d. Unha rememoranza mordaz da visi\u00f3n b\u00edblica de que a muller se creou a partir do home. Con ese postulado a situaci\u00f3n da muller quedaba fatalmente relegada a un segundo plano, a simplemente ser o \u201coutro\u201d. <a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/un-cuarto-propio-virginia-woolf-ed-cuenco-de-plata-D_NQ_NP_8156-MLA20001272366_112013-F.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-11494\" alt=\"un-cuarto-propio-virginia-woolf-ed-cuenco-de-plata-D_NQ_NP_8156-MLA20001272366_112013-F\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/un-cuarto-propio-virginia-woolf-ed-cuenco-de-plata-D_NQ_NP_8156-MLA20001272366_112013-F-180x300.jpg\" width=\"180\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/un-cuarto-propio-virginia-woolf-ed-cuenco-de-plata-D_NQ_NP_8156-MLA20001272366_112013-F-180x300.jpg 180w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/un-cuarto-propio-virginia-woolf-ed-cuenco-de-plata-D_NQ_NP_8156-MLA20001272366_112013-F-617x1024.jpg 617w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2019\/11\/un-cuarto-propio-virginia-woolf-ed-cuenco-de-plata-D_NQ_NP_8156-MLA20001272366_112013-F.jpg 650w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/><\/a>A visi\u00f3n da realidade estaba sesgada, terxiversada. Vela\u00ed a transcendencia do traballo de escritoras como Woolf, ao facer<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">en<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> visible o \u201coutro\u201d, <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">a<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> muller. No seu libro crea un personaxe ficticio que representa <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">a<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> irm\u00e1 de Willia<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">m<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> Sh<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">a<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">k<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">e<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">speare. A trav\u00e9s de Judit Shakespeare tenta mostrar a situaci\u00f3n dunha muller daquela \u00e9poca, que nacendo na mesma familia non se lle ofrecen as mesmas oportunidades que ao seu irm\u00e1n. O pai as\u00edgnalle un esposo en contra da s\u00faa vontade, ela rex\u00e9itao. Recibe malleiras e humillaci\u00f3ns. Non ten acceso aos estudos, nin a unha vida cultural. Non se lle permite satisfacer as s\u00faas inquedanzas intelectuais. Ante a s\u00faa insistencia p\u00e9chana na casa, Judit acaba suicid\u00e1ndose. Virginia Woolf m\u00f3stranos unha situaci\u00f3n l\u00edmite, o paradigma da muller en relaci\u00f3n \u00e1 historia.<\/span><\/span><\/p>\n<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Para a profesora e feminista norueguesa Toril Moi a cr\u00edtica feminista non pode ser s\u00f3 unha an\u00e1lise da literatura, sen\u00f3n que ten que atreverse coa pol\u00edtica, xa que dela emana todo. Elaine Showalter vai m\u00e1is al\u00f3 co seu concepto de \u201cginocr\u00edtica\u201d. Tr\u00e1tase de crear un territorio de referencia para a muller, deixando atr\u00e1s os modelos masculinos, nos que simplemente se axustaba o pensamento feminista. Hab\u00eda que constru\u00edr un marco cultural exclusivamente feminino. Esa \u00e9 a cuesti\u00f3n, non se trata de ocupar os espazos masculinos, nin de adoptar poses que imiten o seu comportamento. Mais ben o contrario, a muller ten que habilitar un espacio propio, referencial, onde po<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">i<\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">dan desenvolver a plena identidade, o que hoxe se co\u00f1ece como unha visi\u00f3n de x\u00e9nero.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00e9sar Alen.\u00a0Este libro de Virginia Woolf est\u00e1 considerado un dos primeiros textos feministas, xunto ao imprescindible Segundo sexo de Simone de Beauvoir. A literatura \u00e9 un espazo perfecto de representaci\u00f3n te\u00f3rica. Nos libros refl\u00edctense as condici\u00f3ns da sociedade, as s\u00faas distintas perspectivas vitais, os rexistros pol\u00edticos e as tendencias ideol\u00f3xicas. Foi precisamente un grupo de &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=11492\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Unha habitaci\u00f3n propia<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[82,7,9],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/11492"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11492"}],"version-history":[{"count":1,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/11492\/revisions"}],"predecessor-version":[{"id":11495,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/11492\/revisions\/11495"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11492"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}