{"id":13070,"date":"2021-03-12T06:00:13","date_gmt":"2021-03-12T06:00:13","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=13070"},"modified":"2021-03-09T11:57:28","modified_gmt":"2021-03-09T11:57:28","slug":"a-luz-que-amence-do-escuro","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=13070","title":{"rendered":"A luz que amence do escuro"},"content":{"rendered":"<div style=\"text-align: justify;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2021\/02\/afroditaweb.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-13071\" alt=\"afroditaweb\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2021\/02\/afroditaweb-300x168.jpg\" width=\"300\" height=\"168\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2021\/02\/afroditaweb-300x168.jpg 300w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2021\/02\/afroditaweb-1024x576.jpg 1024w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2021\/02\/afroditaweb-500x281.jpg 500w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2021\/02\/afroditaweb-900x506.jpg 900w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2021\/02\/afroditaweb.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><em><strong>Eme Cartea.\u00a0<\/strong><\/em>Licenciada en Belas Artes, membro do Taller Experimental de Gr\u00e1fica, do Colectivo Graph, Adogi, Cialec, Arga e ACE.\u00a0Artista meticulosa da estampa en cobre e zinc, procedemento de m\u00e9todo directo, gravado en oco, a m\u00e1is antiga de todas as t\u00e9cnicas de medio ton, mezzotinta\/o, \u00e1 maneira negra&#8230; <!--more-->Da acrom\u00eda \u00e1 policrom\u00eda, amplitude na gama de tons, dende o negro intenso e baleiro \u00e1 pureza exultante do branco estrelado, que definen a obra pu\u00edda.<\/div>\n<div id=\"5TEXTO_DETALLEad-robapaginas-id\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/WPAdBlock\" style=\"text-align: justify;\" data-ads=\"true\" data-url=\"\/4900\/vocento.lavozdegalicia\/galicia\/barbanza\" data-mapping=\"ROBADESKTOP\" data-sizes=\"[[300,600],[300,300],[300,250]]\" data-param=\"pos\" data-format=\"double\" data-targeting=\"robapaginas\"><\/div>\n<div id=\"6TEXTO_DETALLEad_RobaPaginasMobile-id\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/WPAdBlock\" style=\"text-align: justify;\" data-ads=\"true\" data-url=\"\/4900\/webm.EXT.LAVOZDEGALICIA\/galicia\/barbanza\" data-mapping=\"ROBAMOBILE\" data-sizes=\"[[300,600],[300,250]]\" data-param=\"pos\" data-format=\"mobile\" data-targeting=\"robapaginas\">Unha est\u00e9tica do sublime, fotogr\u00e1fica, de medios tons esva\u00eddos, suaves e aveludados. O poder da beleza visual e da linguaxe gr\u00e1fica con efectos pl\u00e1sticos de luxosa calidade. M\u00e9todo subtractivo, do escuro \u00e1 luz, que acelera o contraste tonal e disipa as fronteiras entre o ton e a profundidade. Refinamento e matiz na escala de grises, e en cor, eis a cuesti\u00f3n.<\/div>\n<p style=\"text-align: justify;\">Tematicamente, un busto semiespido dunha muller sedente\/xacente, en escorzo, durmida, cunha bolboreta pousada no peito. Polo t\u00edtulo sabemos que \u00e9 Afrodita, a deusa da beleza, do amor non rom\u00e1ntico e da sexualidade na mitolox\u00eda grega, isto \u00e9, a Venus dos romanos.<\/p>\n<div id=\"ad_Roba2Desktop\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/WPAdBlock\" style=\"text-align: justify;\" data-url=\"\/2260323\/LVDG.Desktop\/barbanza\" data-mapping=\"VOZ_ROBA_DESKTOP\" data-sizes=\"[[200,200],[250,250],[300,250],[300,300],[300,600],[160,600],[1,1]]\" data-param=\"pos\" data-format=\"double\" data-targeting=\"Roba2\">Simbolicamente l\u00e9vanos a pensar que esta deusa-muller, \u00absa\u00edda da espuma\u00bb, est\u00e1 a ter un so\u00f1o er\u00f3tico, \u00e1 maneira do\u00a0<em>Pesadelo<\/em>\u00a0de Henri Fuseli, imaxe de gran forza pl\u00e1stica, irracional, na que un \u00edncubo seduce e pos\u00fae a bela durminte pousado sobre o seu ventre, estereotipo com\u00fan do folclore tradicional.<\/div>\n<p style=\"text-align: justify;\"><strong>\u00cdncubo mal\u00e9fico<\/strong><\/p>\n<p style=\"text-align: justify;\">Pero en Yolanda, ese \u00edncubo mal\u00e9fico dev\u00e9n bolboreta, o que se presta a m\u00faltiples interpretaci\u00f3ns. A bolboreta, igual que Afrodita, nace n\u00fabil e fermosa. E, asociada \u00e1 mitolox\u00eda e \u00e1 relixi\u00f3n, \u00e9 emblema de alegr\u00eda, esp\u00edrito de perfecci\u00f3n, inmortalidade, renacemento e transcendencia. So\u00f1ar con elas \u00e9 sinal de cambio inminente, pero tam\u00e9n necesidade de atenci\u00f3n e cari\u00f1o.<\/p>\n<div id=\"TEXTO_DETALLE_ad_Roba3Desktop\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/WPAdBlock\" style=\"text-align: justify;\" data-url=\"\/2260323\/LVDG.Desktop\/barbanza\" data-mapping=\"VOZ_ROBA300_DESKTOP\" data-sizes=\"[[300,250],[300,300],[1,1]]\" data-param=\"pos\" data-format=\"normal\" data-targeting=\"Roba3\">Afrodita e a choruma representan a forza luminosa do amor en liberdade. \u00c9 isto o que reivindica Yolanda? De Safo ao mito de Lilit, s\u00edmbolo hebraico de igualdade e independencia fronte ao home, e a primeira dona libre da historia,\u00a0<em>femme fatale<\/em>\u00a0por excelencia, rebelde e dona de si, e ant\u00edtese da muller submisa da tradici\u00f3n xudiocristi\u00e1.<\/div>\n<p style=\"text-align: justify;\">Xusto a muller temida que reclaman os movementos sufraxistas na s\u00faa loita pola s\u00faa emancipaci\u00f3n. O feminismo como forza creadora e de transformaci\u00f3n total.<\/p>\n<div id=\"TEXTO_DETALLE_ad_Roba4Desktop\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/WPAdBlock\" style=\"text-align: justify;\" data-url=\"\/2260323\/LVDG.Desktop\/barbanza\" data-mapping=\"VOZ_ROBA300_DESKTOP\" data-sizes=\"[[200,200],[250,250],[300,250],[300,300],[300,600],[160,600],'fluid']\" data-param=\"pos\" data-format=\"normal\" data-targeting=\"roba4\"><strong>Malos so\u00f1os<\/strong><\/div>\n<p style=\"text-align: justify;\">Ambivalencia pasional da arte entre a virtude e o pracer. Un\u00a0<em>pathos\u00a0<\/em>entre o subxectivismo irreal e o surrealismo da imaxe. Para Freud, os (malos) so\u00f1os carrexan os desexos reprimidos da vixilia e abren unha vent\u00e1 aos nosos abismos inconscientes. Vent\u00e1s que para Borges son \u00abgretas do inferno\u00bb, pero que para a psican\u00e1lise son a v\u00eda directa \u00e1 libido, ese oculto poder&#8230;! E Afrodita-papoula \u00e9 a gran musa que esixe amar e ser amada, de ti a ti, en corpo e alma.<\/p>\n<p style=\"text-align: justify;\">Borges e Nabokov citan a f\u00e1bula de Chuang-Tzu -sabio chin\u00e9s do 300 a. C.-: \u00abChuang-Tzu so\u00f1ou que era unha bolboreta. Ao espertar ignoraba se era Chuang-Tzu que so\u00f1ara que era unha bolboreta ou unha bolboreta que agora so\u00f1aba que era Chuang-Tzu\u00bb.<\/p>\n<div id=\"ad_Roba5Desktop\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/WPAdBlock\" data-url=\"\/2260323\/LVDG.Desktop\/barbanza\" data-mapping=\"VOZ_ROBA300_DESKTOP\" data-sizes=\"[[200,200],[250,250],[300,250],[300,300],'fluid']\" data-param=\"pos\" data-format=\"normal\" data-targeting=\"Roba5\"><\/div>\n<div id=\"TEXTO_DETALLE_ad_Roba5Mobile\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/WPAdBlock\" data-url=\"\/2260323\/LVDG.Mobile\/barbanza\" data-mapping=\"VOZ_ROBA_MOBILE\" data-sizes=\"[[200,200],[250,250],[300,250],[300,300],[300,600],'fluid']\" data-param=\"pos\" data-format=\"mobile\" data-targeting=\"Roba5\"><\/div>\n<p>Somos os so\u00f1os que nos quedan, Yolanda!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eme Cartea.\u00a0Licenciada en Belas Artes, membro do Taller Experimental de Gr\u00e1fica, do Colectivo Graph, Adogi, Cialec, Arga e ACE.\u00a0Artista meticulosa da estampa en cobre e zinc, procedemento de m\u00e9todo directo, gravado en oco, a m\u00e1is antiga de todas as t\u00e9cnicas de medio ton, mezzotinta\/o, \u00e1 maneira negra&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[4,30],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/13070"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13070"}],"version-history":[{"count":1,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/13070\/revisions"}],"predecessor-version":[{"id":13072,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/13070\/revisions\/13072"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13070"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}