{"id":2301,"date":"2014-12-16T07:00:56","date_gmt":"2014-12-16T07:00:56","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=2301"},"modified":"2014-12-11T10:58:33","modified_gmt":"2014-12-11T10:58:33","slug":"boyhood-de-richard-linklater","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=2301","title":{"rendered":"Boyhood, de Richard Linklater"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood_29845.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-2302\" alt=\"boyhood_29845\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood_29845-202x300.jpg\" width=\"202\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood_29845-202x300.jpg 202w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood_29845.jpg 400w\" sizes=\"(max-width: 202px) 100vw, 202px\" \/><\/a><em><strong>Xerardo AgraFoxo.\u00a0<\/strong><\/em>Cada ano, durante m\u00e1is dunha d\u00e9cada, este director de Houston (1960), reuniu o mesmo reparto para dar vida a unha familia da clase media norteamericana. En tres horas de pel\u00edcula condensa 39 d\u00edas de rodaxe, entre 2002 e 2013, onde co\u00f1ecemos as medras dun cativo dende os catro anos ata os dezaoito, cando entra na universidade. Neste curioso experimento cinematogr\u00e1fico conc\u00edbese unha trama \u2013\u00e1s veces, enervante; outras, c\u00f3mica\u2013\u00a0 que ten como principal protagonista a Manson (Ellar Coltrane), os seus pais que est\u00e1n separados, Ethan Hawke (m\u00fasico frustrado, irresponsable e entra\u00f1able) e Patricia Arquette (dura e forte, algo neur\u00f3tica e doada de manipular), e a irm\u00e1 do rapaz, Loreli \u00a0(moi ben interpretada pola filla do realizador).<!--more--><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-2303\" alt=\"Boyhood Image\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-2-300x168.jpg\" width=\"300\" height=\"168\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-2-300x168.jpg 300w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-2.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Richard Linklater xa era co\u00f1ecido nas salas de cine europeas por outra orixinal aposta cinematogr\u00e1fica. As tres pel\u00edculas, interpretadas por Ethan Hawke (tam\u00e9n protagonista de <i>Regressi\u00f3n<\/i>, a \u00faltima, a\u00ednda sen estrear, de A. Amen\u00e1bar) e a francesa Julie Delpy (<i>Tres colores: Rojo, 1994, <\/i>de Kievlowski<i>)<\/i>) que reflect\u00edan a vida dunha parella durante nove anos en tres t\u00edtulos moi parecidos:\u00a0 <i>Antes del amanecer<\/i> (1995), ambientada en Viena, <i>Antes del atardecer <\/i>(2004), rodada en Par\u00eds en tempo real, e <i>Antes del anochecer<\/i> (2013), filmada en Grecia e talvez a m\u00e1is frouxa da trilox\u00eda.<\/p>\n<p style=\"text-align: justify;\"><i><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-2304\" alt=\"boyhood 3\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-3-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-3-300x199.jpg 300w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-3-900x599.jpg 900w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2014\/10\/boyhood-3.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Boyhood<\/i><b> <\/b>(2014) semella unha atinada reflexi\u00f3n sobre a infancia, lonxe do estereotipo dun para\u00edso perdido; o paso do tempo, como forma de mudar as nosas percepci\u00f3ns sobre \u00a0a vida e o mundo; o lento proceso de envellecemento; e os fracasos sentimentais e rupturas matrimoniais nunha sociedade tan conservadora coma a texana. Outros temas tan transcendentes afloran nesta pel\u00edcula que recolle o devir do tempo dunha familia filmado polas mesmas persoas durante varios anos. Imprescindible!<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Xerardo AgraFoxo.\u00a0Cada ano, durante m\u00e1is dunha d\u00e9cada, este director de Houston (1960), reuniu o mesmo reparto para dar vida a unha familia da clase media norteamericana. En tres horas de pel\u00edcula condensa 39 d\u00edas de rodaxe, entre 2002 e 2013, onde co\u00f1ecemos as medras dun cativo dende os catro anos ata os dezaoito, cando entra &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=2301\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Boyhood, de Richard Linklater<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[6,21],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/2301"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2301"}],"version-history":[{"count":1,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/2301\/revisions"}],"predecessor-version":[{"id":2305,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/2301\/revisions\/2305"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2301"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}