{"id":4668,"date":"2015-12-21T06:00:42","date_gmt":"2015-12-21T06:00:42","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=4668"},"modified":"2015-12-14T11:56:10","modified_gmt":"2015-12-14T11:56:10","slug":"galicia-e-os-galegos-na-poesia-castela-xxix-alejandro-casona","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=4668","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1 XXIX. Alejandro Casona"},"content":{"rendered":"<p style=\"text-align: justify;\"><b><i><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4670 alignleft\" alt=\"casona\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona-220x300.jpg\" width=\"220\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona-220x300.jpg 220w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona.jpg 519w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><\/a>Rom\u00e1n Ar\u00e9n. <\/i><\/b>Houbo un tempo, quizais entre 1962 e 1980, no que parec\u00eda que o dramaturgo, exiliado moitos anos en M\u00e9xico, Alejandro Casona (1903-1965) \u00eda ocupar un lugar central na historia do teatro espa\u00f1ol do s\u00e9culo XX, quizais s\u00f3 por detr\u00e1s de Valle-Incl\u00e1n, Lorca e Buero Vallejo; logo mantivo certa fama e bastantes reedici\u00f3ns pero xa non ti\u00f1a tanta consideraci\u00f3n nin era lectura obrigada no ensino medio, pois pensaba alg\u00fans que o seu teatro envellecera, con dignidade iso si. Malia todo a s\u00faa foi mellor sorte c\u00e1 doutros grandes dramaturgos exiliados (Jacinto Grau, Max Aub ou Dieste). <!--more-->\u00c9 o de Casona un teatro simb\u00f3lico, de gran forza l\u00edrica, pero sen que estean ausentes certo didactismo e certo contido pol\u00edtico-social. Obras como <i>La sirena varada <\/i>(1934), <i>Nuestra Natacha <\/i>(1936), <i>Prohibido suicidarse en primavera <\/i>(1944), <i>La dama del alba <\/i>(1944) e <i>Los \u00e1rboles mueren de pie <\/i>(1949) son obras importantes na historia do teatro do s\u00e9culo XX.<\/p>\n<p style=\"text-align: justify;\">Pero Casona, en realidade Alejandro Rodr\u00edguez \u00c1lvarez, asturiano, foi tam\u00e9n narrador (<i>Flor de leyendas, <\/i>1934), director teatral do \u201cTeatro del Pueblo\u201d das Misi\u00f3ns Pedag\u00f3xicas, e poeta postmodernista, autor de <i>El peregrino de la barba florida <\/i>(1926) e de <i>La flauta del sapo <\/i>(1930, que polos trasgos da imprenta, alg\u00fans cita como \u201cLa flauta de Safo\u201d).<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4671 alignright\" alt=\"casona 2\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona-2-215x300.jpg\" width=\"215\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona-2-215x300.jpg 215w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2015\/11\/casona-2.jpg 359w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><\/a>No primeiro dos volumes, subtitulado \u201cLeyenda milagrosa\u201d, a presenza de Galiza \u00e9 moita, tanta que mesmo incorpora como poemas do conxunto d\u00faas das nosas c\u00e1ntigas populares, unha delas a popular \u201cCantan os galos pr\u2019\u00f3 d\u00eda;\/\u00e9rguete, meu ben, e vaite&#8230;\u201d, tan presente tam\u00e9n en Lorca. Reproduzo o primeiro poema, \u201cLa caravana doliente\u201d:<\/p>\n<p style=\"text-align: justify;\">Un mercado galaico. Bullicio. Gaiter\u00eda\/de trajes y de lenguas. Confusa romer\u00eda\/de todos los dolores y todas las lacer\u00edas\/y el abigarramiento de las norte\u00f1as ferias.\/En la cruz de Sant Yago sollozan los romeros\/que van a Compostela. Mendigos, caballeros,\/viejos, mozos, mujeres&#8230; Vierten, arrepentidos,\/la hiel de sus pecados y sus cuerpos podridos.\/Hay un ciego harapiento, de melena revuelta,\/que canta \u00e9pico y triste, igual que un bardo celta.\/Y un malato de rostro buido, transparente,\/y un viejo lazarino verdoso y pestilente,\/y los que enloquecieron con el ramo cativo,\/y los pobres, los tristes&#8230; Entre todos altivo,\/cargado de cadenas, la mirada perdida,\/y\u00e9rguese el &lt;peregrino de la barba florida&gt;.<\/p>\n<p style=\"text-align: justify;\">Estes d\u00edsticos alexandrinos fan pensar no Valle-Incl\u00e1n de <i>Flor de santidad, <\/i>autor ao que admiraba Casona. Non \u00e9 a \u00fanica relaci\u00f3n con Galicia, pois tam\u00e9n se interesou por Castelao, a quen dedicou o artigo \u201cCastelao, pintor y dram\u00e1tico\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. Houbo un tempo, quizais entre 1962 e 1980, no que parec\u00eda que o dramaturgo, exiliado moitos anos en M\u00e9xico, Alejandro Casona (1903-1965) \u00eda ocupar un lugar central na historia do teatro espa\u00f1ol do s\u00e9culo XX, quizais s\u00f3 por detr\u00e1s de Valle-Incl\u00e1n, Lorca e Buero Vallejo; logo mantivo certa fama e bastantes reedici\u00f3ns pero &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=4668\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Galicia e os galegos na poes\u00eda castel\u00e1 XXIX. Alejandro Casona<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[7,10,28],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/4668"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4668"}],"version-history":[{"count":3,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/4668\/revisions"}],"predecessor-version":[{"id":4792,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/4668\/revisions\/4792"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4668"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}