{"id":5179,"date":"2016-03-22T06:00:04","date_gmt":"2016-03-22T06:00:04","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=5179"},"modified":"2016-03-08T08:22:21","modified_gmt":"2016-03-08T08:22:21","slug":"galicia-e-os-galegos-na-poesia-castela-xxxiii-julieta-gomez-paz","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=5179","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1 XXXIII. Julieta G\u00f3mez Paz"},"content":{"rendered":"<p style=\"text-align: justify;\"><b><i><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/02\/l2704-el-poema-y-su-mundo-julieta-gomez-paz-13683-MLA3427738958_112012-F.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-5181\" style=\"border: 1px solid black;\" alt=\"l2704-el-poema-y-su-mundo-julieta-gomez-paz-13683-MLA3427738958_112012-F\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/02\/l2704-el-poema-y-su-mundo-julieta-gomez-paz-13683-MLA3427738958_112012-F-197x300.jpg\" width=\"197\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/02\/l2704-el-poema-y-su-mundo-julieta-gomez-paz-13683-MLA3427738958_112012-F-197x300.jpg 197w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/02\/l2704-el-poema-y-su-mundo-julieta-gomez-paz-13683-MLA3427738958_112012-F.jpg 502w\" sizes=\"(max-width: 197px) 100vw, 197px\" \/><\/a>Rom\u00e1n Ar\u00e9n. <\/i><\/b>Hai, na literatura arxentina, un grupo de autores e autoras que te\u00f1en orixe galega e que mantiveron e mante\u00f1en con Galicia un vencello emocional: Gonz\u00e1lez Carbalho, F.L. Berm\u00e1rdez, R. M\u00aa Lij\u00f3, Moure e varios ma\u00eds. \u00c9 tam\u00e9n o caso de Julieta G\u00f3mez Paz, con orixe en Mondo\u00f1edo pola s\u00faa nai, autora de poemarios como <i>Canciones de tierra y sol <\/i>(1939) ou <i>Llanura <\/i>(1940), de ensaios sobre Alfonsina Storni, e de traduci\u00f3ns de Elizabeth Barret Browning. Visitou Galicia e desa viaxe naceu o poemario <i>Galicia en el atardecer <\/i>(1972), unha viaxe l\u00edrica e elex\u00edaca que une na s\u00faa po\u00e9tica a realidade concreta coa paisaxe interior.<!--more--><\/p>\n<p style=\"text-align: justify;\">A\u00ednda que dedicou un bo poema a Rosal\u00eda (e varios ensaios), eu selecciono \u201cNostalgia de Santiago\u201d: Yo anduve por Santiago\/\u00bfQui\u00e9n lo dir\u00e1?\/Camin\u00e9\/por la Rua del Villar\/Bajo los soportales\/vi llover y alumbrar\/y anduve en las plazuelas\/\u00bfqui\u00e9n lo dir\u00e1?\/Sobre m\u00ed las campanas\/\u00bflo so\u00f1\u00e9?\/y en mi palma tu piedra\/\u00bflo sabe mi piel?\/Nostalgia de Santiago\/de antes y despu\u00e9s,\/los bueyes de tus calles\/las sombras, las palabras.\/Volver.&#8221;<\/p>\n<p style=\"text-align: justify;\">\u00c9 esta poeta arxentina, unha das poucas que ve un influxo directo de Rosal\u00eda en \u201cLo fatal\u201d de Rub\u00e9n Dar\u00edo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. Hai, na literatura arxentina, un grupo de autores e autoras que te\u00f1en orixe galega e que mantiveron e mante\u00f1en con Galicia un vencello emocional: Gonz\u00e1lez Carbalho, F.L. Berm\u00e1rdez, R. M\u00aa Lij\u00f3, Moure e varios ma\u00eds. \u00c9 tam\u00e9n o caso de Julieta G\u00f3mez Paz, con orixe en Mondo\u00f1edo pola s\u00faa nai, autora de poemarios &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=5179\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Galicia e os galegos na poes\u00eda castel\u00e1 XXXIII. Julieta G\u00f3mez Paz<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[7,10,28],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/5179"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5179"}],"version-history":[{"count":3,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/5179\/revisions"}],"predecessor-version":[{"id":5211,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/5179\/revisions\/5211"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5179"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}