{"id":6059,"date":"2016-08-18T06:00:50","date_gmt":"2016-08-18T06:00:50","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=6059"},"modified":"2016-08-14T09:08:58","modified_gmt":"2016-08-14T09:08:58","slug":"galicia-e-os-galegos-na-poesia-castela-xlii-un-mexicano-hugo-gutierrez-vega","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=6059","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1. XLII. Un mexicano: Hugo Guti\u00e9rrez Vega"},"content":{"rendered":"<p style=\"text-align: justify;\"><b><i><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/08\/hugo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6061 alignright\" alt=\"hugo\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/08\/hugo-215x300.jpg\" width=\"215\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/08\/hugo-215x300.jpg 215w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/08\/hugo.jpg 600w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><\/a>Rom\u00e1n Ar\u00e9n. <\/i><\/b>Figura polifac\u00e9tica a de Hugo Guti\u00e9rrez Vega (1934), diplom\u00e1tico, poeta, ensa\u00edsta, reitor da universidade de Quer\u00e9taro, Premio Nacional de Poes\u00eda en 1976, profesor na UNAM, conselleiro cultural en Roma, Londres e Madrid. A s\u00faa poes\u00eda adoita ser definida polos cr\u00edticos como neo-rom\u00e1ntica, e \u00e9 xa moi extensa, con obras como <i>Buscado de amor <\/i>(1965), <i>Desde Inglaterra <\/i>(1971), <i>Samarcanda y otros poemas <\/i>(1972), <i>Cuando el placer termine <\/i>(1977), <i>Cantos de Plasencia y otros poemas <\/i>(1977), <i>Georgetown blues y otros poemas <\/i>(1987), entro outros. Como ensa\u00edsta publicou varios volumes, entre os que salienta <i>Luis Bu\u00f1uel. Obsesiones de un espectador <\/i>(1983).<!--more--><\/p>\n<p style=\"text-align: justify;\">Pero o que nos interesa \u00e9 o seu poemario <i>Meridiano 8-0, <\/i>publicado en Madrid en 1982. Est\u00e1 dedicado a Galicia, as s\u00faas cidades, a Curros, a Rosal\u00eda; na secci\u00f3n \u201cNoches gallegas y varias admiraciones\u201d, selecciono \u201cPrimera Noche\u201d:<\/p>\n<p style=\"text-align: justify;\">Rosal\u00eda, te escribo estas palabras\/en tu propia parcela,\/descubriendo, rodeado de palomas,\/un rostro en la penumbra.\/Ahora hay nubes, la lluvia,\/con las manos del musgo,\/trabajar\u00e1 las piedras,\/mientras la plaza cambia\/su ser inalterable.\/(-los muchachos se besan\/y se encienden las sombras\/del convento olvidado-).\/Alguien toca una flauta,\/arrecia la llovizna,\/pero nadie se mueve.\/Yo pienso en ti, en tus l\u00e1grimas\/de amor a la tierra.\/Andando configuro el brillo de tus ojos;\/las muchachas no hablan\/y, de nuevo, la luna&#8230;<\/p>\n<p style=\"text-align: justify;\">Rosal\u00eda reaparecer\u00e1 na \u201cNovena Noche\u201d e outra vez en \u201cA Curros Enr\u00edquez, poeta maldito\u201d. Non foi o \u00fanico poeta hispanoamericano en cantar o noso Curros, pois antes xa o fixera o poeta colombiano Alfredo G\u00f3mez Jaime (1878-1946), c\u00f3nsul en Vigo de 1927, pero en galego na revista &lt;Vida Gallega&gt; en 1928.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. Figura polifac\u00e9tica a de Hugo Guti\u00e9rrez Vega (1934), diplom\u00e1tico, poeta, ensa\u00edsta, reitor da universidade de Quer\u00e9taro, Premio Nacional de Poes\u00eda en 1976, profesor na UNAM, conselleiro cultural en Roma, Londres e Madrid. A s\u00faa poes\u00eda adoita ser definida polos cr\u00edticos como neo-rom\u00e1ntica, e \u00e9 xa moi extensa, con obras como Buscado de amor &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=6059\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Galicia e os galegos na poes\u00eda castel\u00e1. XLII. Un mexicano: Hugo Guti\u00e9rrez Vega<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[7,10,28],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/6059"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6059"}],"version-history":[{"count":3,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/6059\/revisions"}],"predecessor-version":[{"id":6114,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/6059\/revisions\/6114"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6059"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}