{"id":6381,"date":"2016-11-15T06:00:17","date_gmt":"2016-11-15T06:00:17","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=6381"},"modified":"2016-11-11T09:52:42","modified_gmt":"2016-11-11T09:52:42","slug":"galicia-e-os-galegos-na-poesia-castela-xlvii-carmen-martin-gaite","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=6381","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1 XLVII. Carmen Mart\u00edn Gaite"},"content":{"rendered":"<p style=\"text-align: justify;\"><b><i><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/09\/gaite.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-6383\" alt=\"gaite\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/09\/gaite-204x300.jpg\" width=\"204\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/09\/gaite-204x300.jpg 204w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2016\/09\/gaite.jpg 450w\" sizes=\"(max-width: 204px) 100vw, 204px\" \/><\/a>Rom\u00e1n Ar\u00e9n. <\/i><\/b>\u00c9 Carmen Mart\u00edn Gaite (1925-2000) unha das voces femininas importantes da narrativa espa\u00f1ola de posguerra. Eu co\u00f1ecina por <i>Entre visillos <\/i>(1958), ga\u00f1adora do Nadal, versi\u00f3n desencantada da clase media espa\u00f1ola, pero xa publicara <i>El balneario <\/i>en 1955. Logo, nos setenta, vi\u00f1eron xa as s\u00faas obras m\u00e1is maduras: <i>Retahilas <\/i>(1974), <i>Fragmentos do interior <\/i>(1976) e <i>El cuarto de atr\u00e1s <\/i>(1978). Nos oitenta co\u00f1eceu o \u00e9xito con <i>Caperucita en Manhattan <\/i>(1988) e nos noventa con <i>Nubosidad variable <\/i>(1992), pero foi tam\u00e9n moi aprezada por ensaios como <i>Usos amorosos del siglo XVIII espa\u00f1ol <\/i>(1972) e poeta, pois en 1976 editar\u00eda o poemario <i>A rachas. <!--more--><\/i>Con fortes vencellos familiares con Galicia, esta salmantina ocupouse de Rosal\u00eda <i>Desde la ventana <\/i>(1987), un estudo sobre a literatura das mulleres, pero xa a inclu\u00edra na s\u00faa antolox\u00eda <i>Ocho siglos de poes\u00eda gallega <\/i>(1972), da que foi coeditora con Ruiz Tarazona, escolma que obtivo duras cr\u00edticas en Galicia, sobre todo de Carlos Casares, polas versi\u00f3ns castel\u00e1s dos poemas galegos. En <i>A rachas <\/i>incl\u00fae o poema \u201cLuna llena\u201d, onde canta a tradici\u00f3n das poetas femininas:<\/p>\n<p style=\"text-align: justify;\">A tu luz se acogieron deslumbrados\/tristes y balbucientes\/los poetas,\/frioleros y turbios,\/estremecidos, los enamorados.\/Te invocaron sin tregua\/a lo largo de un r\u00edo subterr\u00e1neo\/de palabras marchitas\/que viene de Safo y Rosal\u00eda\/a morir en mi boca. \/Jugamos a invocarte,\/levantamos antorchas de mentira\/que s\u00f3lo manosean tu vestido de tul.<\/p>\n<p style=\"text-align: justify;\">Unir a Safo e a Rosal\u00eda nunha cadea po\u00e9tica non \u00e9 exclusivo de Carmen Mart\u00edn Gaite, pois xa Carmen Blanco exhumou un poema de Filomena Dato Muruais no que ocorre o mesmo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. \u00c9 Carmen Mart\u00edn Gaite (1925-2000) unha das voces femininas importantes da narrativa espa\u00f1ola de posguerra. Eu co\u00f1ecina por Entre visillos (1958), ga\u00f1adora do Nadal, versi\u00f3n desencantada da clase media espa\u00f1ola, pero xa publicara El balneario en 1955. Logo, nos setenta, vi\u00f1eron xa as s\u00faas obras m\u00e1is maduras: Retahilas (1974), Fragmentos do interior (1976) &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=6381\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Galicia e os galegos na poes\u00eda castel\u00e1 XLVII. Carmen Mart\u00edn Gaite<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[10,28],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/6381"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6381"}],"version-history":[{"count":2,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/6381\/revisions"}],"predecessor-version":[{"id":6384,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/6381\/revisions\/6384"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6381"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}