{"id":7643,"date":"2017-07-17T06:00:44","date_gmt":"2017-07-17T06:00:44","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=7643"},"modified":"2017-07-09T10:18:08","modified_gmt":"2017-07-09T10:18:08","slug":"galicia-e-os-galegos-na-poesia-castela-lxii-un-fabulista-samaniego","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=7643","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1. LXII. Un fabulista: Samaniego"},"content":{"rendered":"<p style=\"text-align: justify;\"><b><i><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/06\/jardin.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-7644 alignleft\" alt=\"jardin\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/06\/jardin-225x300.jpg\" width=\"203\" height=\"270\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/06\/jardin-225x300.jpg 225w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/06\/jardin.jpg 375w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/><\/a>Rom\u00e1n Ar\u00e9n. <\/i><\/b>Poucos ser\u00e1n os que non o\u00edron falar das <i>F\u00e1bulas en verso castellano <\/i>(1781 e 1784) de F\u00e9lix Mar\u00eda Samaniego Zabala (1745-1801), en realidade adaptaci\u00f3ns libres de Fedro e Esopo. \u00c9, co de iriarte, un dos poucos libros populares do Neoclasicismo espa\u00f1ol, e a fonte do auxe da f\u00e1bula na poes\u00eda castel\u00e1 do s\u00e9culo XIX, na que destacaron Campoamor, Crist\u00f3bal Be\u00f1a, Hartzenbusch, Felipe Jacinto Sala, Campos Carreras e alg\u00fans galegos como o Bar\u00f3n de Andilla e Concepci\u00f3n Arenal. Na literatura galega tivemos un fabulista notable, Amador Montenegro, e o x\u00e9nero est\u00e1 presente entre n\u00f3s dende 1864.<!--more--><\/p>\n<p style=\"text-align: justify;\">Samaniego, que tam\u00e9n asinou \u201cCosme Dami\u00e1n\u201d foi tam\u00e9n famoso como poeta er\u00f3tico polo \u201cJard\u00edn de Venus\u201d, que polo seu contido non se editou ata 1899. Tratou unha vez da gaita galega en resposta a Iriarte, nas \u201cCoplas para tocarse al viol\u00edn a guisa de tonadilla\u201d:<\/p>\n<p style=\"text-align: justify;\">Cantar la M\u00fasica Iriarte\/se propuso en un poema;\/y en lugar de sinfon\u00eda,\/toc\u00f3 la gaita gallega;\/&lt;Las maravillas de aqu\u00e9l canto&#8230;&gt;\/\u00a1Dios guarde, oh mui\u00f1eira, tu\/gracia, tu encanto!<\/p>\n<p style=\"text-align: justify;\">O poema de Iriarte aludido \u00e9 <i>La M\u00fasica<\/i> (1779), que conta cunha reedici\u00f3n recente. Non est\u00e1 ausente de todo da nosa lingua Samaniego, pois Francisco U\u00f1\u00e1s, versionou unha das s\u00faas f\u00e1bulas no <i>Compendio da gram\u00e1tica gallego-castellana<\/i>, publicado en Santiago no abrente do Rexurdimento, en 1864.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. Poucos ser\u00e1n os que non o\u00edron falar das F\u00e1bulas en verso castellano (1781 e 1784) de F\u00e9lix Mar\u00eda Samaniego Zabala (1745-1801), en realidade adaptaci\u00f3ns libres de Fedro e Esopo. \u00c9, co de iriarte, un dos poucos libros populares do Neoclasicismo espa\u00f1ol, e a fonte do auxe da f\u00e1bula na poes\u00eda castel\u00e1 do s\u00e9culo &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=7643\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Galicia e os galegos na poes\u00eda castel\u00e1. LXII. Un fabulista: Samaniego<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[7,10,28],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/7643"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7643"}],"version-history":[{"count":3,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/7643\/revisions"}],"predecessor-version":[{"id":7772,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/7643\/revisions\/7772"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7643"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}