{"id":7875,"date":"2017-10-14T06:00:23","date_gmt":"2017-10-14T06:00:23","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=7875"},"modified":"2017-10-15T13:45:59","modified_gmt":"2017-10-15T13:45:59","slug":"a-raina-de-katwe-de-mira-nair","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=7875","title":{"rendered":"A ra\u00ed\u00f1a de Katwe, de Mira Nair"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-7876\" alt=\"reina1\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina1-209x300.jpg\" width=\"209\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina1-209x300.jpg 209w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina1-716x1024.jpg 716w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina1.jpg 770w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/><\/a><em><strong>Xerardo AgraFoxo. <\/strong><\/em>Da man da directora india Mira Nair (Orissa, 1957) e coas interpretaci\u00f3ns de David Oyelowo (<i>Selma<\/i>, <i>Nina Simone, Un reino unido<\/i>), Lupita Nyong\u00b4o (<i>12 anos de escravitude<\/i>) e Madina Nalwanya, unha bailarina de 15 anos escollida entre 700 candidatas, esta pel\u00edcula conta unha historia sucedida nun pa\u00eds onde non hai moito tempo mandaran o corrupto Milton Obote e o tirano Idi Amin Dad\u00e1. O argumento d\u00b4<i>A ra\u00ed\u00f1a de Katwe<\/i> (2016) transcorre nun arrabalde marxinal de Kampala (Uganda), erguido coma unha favela nas marxes do lago Vitoria,\u00a0 onde unha moza, Fhiona Mutesi, pretende sa\u00edr da vida miserenta que a cingue grazas \u00e1 axuda dun mestre, Robert Katende<!--more-->, que, cando ela s\u00f3 buscaba un prato de comida, a inicia no mundo da xadrez.<\/p>\n<p style=\"text-align: justify;\">Malia a conflitiva situaci\u00f3n en que viven os protagonistas desta pel\u00edcula, nais solteiras, vivendas cativas, orfos de guerra e noxentas condici\u00f3ns hixi\u00e9nicas, Mira Nair foxe do melodrama e relata unha historia de loita e supervivencia, onde a xente mostra o \u00a0lado m\u00e1is amable\u00a0 do continente negro.\u00a0 <a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina2.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-7877\" alt=\"reina2\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina2-300x134.png\" width=\"300\" height=\"134\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina2-300x134.png 300w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/07\/reina2.png 620w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>O talento da directora de <i>Salaam Bombay (1988)<\/i> e <i>A voda do monz\u00f3n (2001)<\/i>, alb\u00edscase sobre todo no desenvolvemento dun argumento ateigado de sensibilidade, onde os comportamentos individuais poden ser a esperanza dunha \u00c1frica ceibe de conflitos b\u00e9licos e dramas persoais. O resultado \u00e9 un extraordinario <i>biopic<\/i>, e tam\u00e9n unha lecci\u00f3n de como sa\u00edr das traxedias: \u201co pe\u00f3n pode converterse en ra\u00ed\u00f1a\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Xerardo AgraFoxo. Da man da directora india Mira Nair (Orissa, 1957) e coas interpretaci\u00f3ns de David Oyelowo (Selma, Nina Simone, Un reino unido), Lupita Nyong\u00b4o (12 anos de escravitude) e Madina Nalwanya, unha bailarina de 15 anos escollida entre 700 candidatas, esta pel\u00edcula conta unha historia sucedida nun pa\u00eds onde non hai moito tempo mandaran &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=7875\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">A ra\u00ed\u00f1a de Katwe, de Mira Nair<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[6,21],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/7875"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7875"}],"version-history":[{"count":5,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/7875\/revisions"}],"predecessor-version":[{"id":8279,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/7875\/revisions\/8279"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7875"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}