{"id":8548,"date":"2017-12-08T06:00:19","date_gmt":"2017-12-08T06:00:19","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=8548"},"modified":"2017-11-28T12:26:40","modified_gmt":"2017-11-28T12:26:40","slug":"un-coup-de-des-de-mallarme-apuntamentos-ii","status":"publish","type":"post","link":"http:\/\/cafebarbantia.barbantia.es\/?p=8548","title":{"rendered":"Un Coup de d\u00e9s, de Mallarm\u00e9. Apuntamentos (II)"},"content":{"rendered":"<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: 'Times New Roman', serif;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/7173779.image_.jpeg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-8549\" alt=\"7173779.image_\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/7173779.image_-184x300.jpeg\" width=\"184\" height=\"300\" srcset=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/7173779.image_-184x300.jpeg 184w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/7173779.image_-630x1024.jpeg 630w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/7173779.image_-900x1462.jpeg 900w, http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/7173779.image_.jpeg 1231w\" sizes=\"(max-width: 184px) 100vw, 184px\" \/><\/a><em><strong>Fidel Vidal.\u00a0<\/strong><\/em>En outubro de 1864, Mallarm\u00e9 escribe a Cazalis: \u201cFinalmente comecei o meu <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>Herod\u00edas. <\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\">Con terror, porque invento unha linguaxe que debe necesariamente xurdir dunha po\u00e9tica moi nova, \u00e1 que s\u00f3 poder\u00eda definir as\u00ed: pintar, non a cousa, sen\u00f3n o efecto que produce. O verso non debe, pois, comporse de palabras sen\u00f3n de intenci\u00f3ns, e todas as palabras deben desaparecer ante a sensaci\u00f3n. Quero, por primeira vez na mi\u00f1a vida, lograr algo. De non conseguilo, endexamais tocarei unha pluma\u201d.<!--more--><\/span><\/span><\/p>\n<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-size: large;\"><b>II. O verso libre.<\/b><\/span><\/p>\n<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: 'Times New Roman', serif;\">Pouco antes da s\u00faa morte, aparece a obra que \u00e9 a materia da s\u00faa visi\u00f3n cosmog\u00f3nica e independente: <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>Un golpe de dados xamais abolir\u00e1 o azar<\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\">,<\/span><span style=\"font-family: 'Times New Roman', serif;\"> publicado, por primeira vez, na revista londinense <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>Cosm\u00f3polis, <\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\">en 1897. Un poema ante o que Sartre quedou <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>abraiado<\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\"> e cualificou de<\/span><span style=\"font-family: 'Times New Roman', serif;\"><i> rigorosamente existencialista<\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\">. <\/span><span style=\"font-family: 'Times New Roman', serif;\">Fronte ao materialismo imperante a fins do s\u00e9culo XIX e produto da asunci\u00f3n da morte de Deus, Sartre entende a figura Mallarm\u00e9 como a m\u00e1is absoluta conceptualizaci\u00f3n da nada, da negaci\u00f3n do ser, concibida como motor de construci\u00f3n do propiamente humano (S. H. Barbosa, <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>A \u201cquesti\u00f3n Mallarm\u00e9\u201d,<\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\"> C\u00e9dille, 2015).<\/span><\/span><\/p>\n<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-size: large;\">\u201c<\/span><span style=\"font-family: 'Times New Roman', serif;\">O poema impr<\/span><span style=\"font-family: 'Times New Roman', serif;\">\u00edmese<\/span><span style=\"font-family: 'Times New Roman', serif;\">, neste momento, tal coma o concib\u00edn. En canto \u00e1 paxinaci\u00f3n \u00e9 onde est\u00e1 todo o efecto. Tal palabra, en trazos grosos, para ela soa, pide toda unha p\u00e1xina en branco e creo estar seguro do efecto. A constelaci\u00f3n afectar\u00e1 segundo as leis exactas, e tanto como \u00e9 permitido a un texto impreso, fatalmente un \u00e1lbum de constelaci\u00f3n. O nav\u00edo escora, do alto dunha p\u00e1xina at\u00e9 o baixo da outra, etc.; xa que logo, e a\u00ed reside todo o punto de vista (que tiven que omitir nun xornal), o ritmo dunha frase a prop\u00f3sito dun acto ou incluso dun obxecto non ten sentido m\u00e1is que se os imita, figurado no papel, recollido da estampa orixinal pola letra, sabe reproducir, pese a todo, algo\u201d (Mallarm\u00e9, <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>Fragmentos sobre o Libro<\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\">, 2002, p. 91).<\/span><\/p>\n<p lang=\"gl-ES\" align=\"justify\"><span style=\"font-family: 'Times New Roman', serif;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/images.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-8550\" alt=\"images\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2017\/11\/images.jpg\" width=\"258\" height=\"196\" \/><\/a>&#8220;Creo que son o primeiro home que viu esta obra extraordinaria\u201d, di Paul Val\u00e9ry. \u201cApenas a rematou, Mallarm\u00e9 rogoume ir \u00e1 s\u00faa casa; meteume no seu cuarto da r\u00faa de Roma, onde detr\u00e1s dunha antiga tapicer\u00eda repousaron at\u00e9 a s\u00faa morte, sinal dado por el da s\u00faa destruci\u00f3n, os paquetes dos seus apuntamentos. Sobre a mesa de madeira moi escura, cadrada, de patas tortas, estendeu o manuscrito do seu poema, e p\u00faxose a lelo en voz baixa, mon\u00f3tono, sen o menor \u2018efecto\u00b4, case para si mesmo\u201d. Un <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>Coup de d\u00e9s<\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\"> lido como se estivese preparando unha maior sorpresa, \u201cMallarm\u00e9, \u00e1 fin, f\u00edxome considerar o <\/span><span style=\"font-family: 'Times New Roman', serif;\"><i>dispositivo<\/i><\/span><span style=\"font-family: 'Times New Roman', serif;\">. Pareceume ver a figura dun pensamento, por primeira vez situado no noso espazo\u2026 Aqu\u00ed verdadeiramente, a extensi\u00f3n falaba, xeraba formas temporais\u2026\u201d <\/span><span style=\"color: #000000;\">A linguaxe fala por ela, mais a trav\u00e9s dunha forma especial non articulada, da que furta, segundo Lyotard, \u201ca s\u00faa funci\u00f3n prosaica, de comunicaci\u00f3n; revela nel un poder que o excede: o poder de figurar e non s\u00f3 de significar\u201d (Jean-Fran\u00e7ois Lyotard, <\/span><span style=\"color: #000000;\"><span style=\"font-family: 'Times New Roman', serif;\"><i>Discurso, Figura<\/i><\/span><\/span><span style=\"color: #000000;\">, 1979, p.76).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fidel Vidal.\u00a0En outubro de 1864, Mallarm\u00e9 escribe a Cazalis: \u201cFinalmente comecei o meu Herod\u00edas. Con terror, porque invento unha linguaxe que debe necesariamente xurdir dunha po\u00e9tica moi nova, \u00e1 que s\u00f3 poder\u00eda definir as\u00ed: pintar, non a cousa, sen\u00f3n o efecto que produce. O verso non debe, pois, comporse de palabras sen\u00f3n de intenci\u00f3ns, e &hellip; <a href=\"http:\/\/cafebarbantia.barbantia.es\/?p=8548\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Un Coup de d\u00e9s, de Mallarm\u00e9. Apuntamentos (II)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[7,65,10],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/8548"}],"collection":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8548"}],"version-history":[{"count":1,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/8548\/revisions"}],"predecessor-version":[{"id":8551,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/8548\/revisions\/8551"}],"wp:attachment":[{"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8548"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}