{"id":12669,"date":"2020-11-08T06:00:32","date_gmt":"2020-11-08T06:00:32","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=12669"},"modified":"2020-10-31T12:15:50","modified_gmt":"2020-10-31T12:15:50","slug":"galicia-e-os-galegos-na-poesia-castela-cxlii-victoriano-cremer","status":"publish","type":"post","link":"https:\/\/cafebarbantia.barbantia.es\/?p=12669","title":{"rendered":"Galicia e os galegos na poes\u00eda castel\u00e1 CXLII. Victoriano Cr\u00e9mer"},"content":{"rendered":"<p style=\"text-align: justify;\"><b><i><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/victoriano-cremer-.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-12670\" alt=\"victoriano-cremer-\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/victoriano-cremer--241x300.jpg\" width=\"241\" height=\"300\" srcset=\"https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/victoriano-cremer--241x300.jpg 241w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/victoriano-cremer--824x1024.jpg 824w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/victoriano-cremer--900x1118.jpg 900w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/victoriano-cremer-.jpg 1288w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/a>Rom\u00e1n Ar\u00e9n<\/i><i>. <\/i><\/b>Victoriano Cr\u00e9mer (1907-2009) \u00e9 o paradigma do que D\u00e1maso Alonso entend\u00eda como poeta enraizado, comprometido anotaban outros, ou social, pero a definici\u00f3n de D\u00e1maso Alonso \u00e9 a m\u00e1is acertada, xa que nos primeiros corenta o \u201ccompromiso\u201d s\u00f3 pod\u00eda ser expresado polos vencidos en clave expresionista, pesimista e simb\u00f3lica, cando non relixiosa (que non nacional-cat\u00f3lica). E Cr\u00e9mer, de orixe pobre, foi un vencido, como o foron Ram\u00f3n de Garciasol, Carballo Calero, Leopoldo de Luis, Celaya e moitos outros.<!--more--><\/p>\n<p style=\"text-align: justify;\">O nome de Cr\u00e9mer vai asociado sempre \u00e1 revista &lt;Espa\u00f1ada&gt;, s\u00edmbolo human\u00edstico fronte ao preciosismo e neoclasicismo de &lt;Garcilaso&gt;. Comezou a s\u00faa carreira literaria con <i>Tacto sonoro <\/i>(1947), ao que seguiron <i>Caminos de mi sangre <\/i>(1947), <i>La espada y la pared <\/i>(1949), <i>Las horas perdidas <\/i>(1949), <i>Nuevos cantos de amor y esperanza <\/i>(1952), <i>Furia y paloma <\/i>(1956), <i>Tiempo de soledad <\/i>(1962), <i>El amor y la sangre <\/i>(1966), <i>Los cercos <\/i>(1976) e <i>El fulgor de la memoria <\/i>(1996), por citar s\u00f3 os m\u00e1is importantes. En 1984 apareceu en Le\u00f3n a <i>Poes\u00eda 1944-1984.<\/i> Polo demais, eu consid\u00e9roo un dos grandes prosistas marxinados, con Gaya Nu\u00f1o (outro vencido) por obras como <i>Libro de Ca\u00edn <\/i>(1958), <i>Historias de Chu-Ma-chuco <\/i>(1970) ou o <i>Libro de San Marcos <\/i>(1980). Escribiu tam\u00e9n ensaios e a peza teatral <i>En la escalera <\/i>(1940). Dic\u00eda Max Aub que a s\u00faa \u201ccondici\u00f3n obrera le presta acentos que en vano buscar\u00edamos en otros tan o mas liberados, tan o m\u00e1s revolucionarios\u201d. Imaxes pl\u00e1sticas, pesimismo, lingaxe directa, son caracter\u00edsticas da s\u00faa poes\u00eda.<\/p>\n<p style=\"text-align: justify;\">Publicou en revistas galegas e as\u00ed, na ferrol\u00e1 &lt;Aturuxo&gt;, e en 1954, publicou o \u201cPoema del imposible sosiego\u201d con esta dedicatoria: \u201cCon tu libro, Miguel Gonz\u00e1lez Garc\u00e9s\u201d.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/Victoriano-crmerlibro-de-can.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-12671\" alt=\"Victoriano-crmerlibro-de-can\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/Victoriano-crmerlibro-de-can-199x300.jpg\" width=\"199\" height=\"300\" srcset=\"https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/Victoriano-crmerlibro-de-can-199x300.jpg 199w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2020\/10\/Victoriano-crmerlibro-de-can.jpg 266w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a>As\u00ed es la vida, amigo, sin sosiego,\/lejana y sola.\/(Lo que levantamos\/al sol claro del d\u00eda, es lo que queda\/en nosotros de luz y de esperanza.)\/El pulso breve de la sangre empuja\/en dulces avalanchas; la mirada,\/retenida en el gozo de las cosas,\/es tan s\u00f3lo deseo, ansia de vida.\/Pero no vida entera, tan remota,\/tan dura y bella siempre entre la niebla.\/\u00bfD\u00f3nde encontrarla si la furia opone\/muros de pesadumbre a nuestro paso?\/Cantamos en la noche; nos abrimos\/surcos para la sangre, y va qued\u00e1ndome\/vac\u00edo y seco el coraz\u00f3n: As\u00ed la tierra\/amarillece sin sudor de hombre.\/A la imposible vida, sin sosiego\/vamos, con odio; y el camino es largo,\/y estamos muy cansados, y es muy triste\/morir sobre las piedras, bajo el viento.\/Confundimos el tr\u00e1nsito y la vida,\/a la que vamos -\u2019como al mar los r\u00edos\u2019-\/por entre hierros, m\u00e1rmoles, salivas,\/irremediablemente desamados.\/\u00a1No llegar es la meta!\/Sin sosiego\/el hombre busca, con palabras, vida.\/Y se llena de voces rencorosas,\/de amargos ecos&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rom\u00e1n Ar\u00e9n. Victoriano Cr\u00e9mer (1907-2009) \u00e9 o paradigma do que D\u00e1maso Alonso entend\u00eda como poeta enraizado, comprometido anotaban outros, ou social, pero a definici\u00f3n de D\u00e1maso Alonso \u00e9 a m\u00e1is acertada, xa que nos primeiros corenta o \u201ccompromiso\u201d s\u00f3 pod\u00eda ser expresado polos vencidos en clave expresionista, pesimista e simb\u00f3lica, cando non relixiosa (que non &hellip; <a href=\"https:\/\/cafebarbantia.barbantia.es\/?p=12669\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">Galicia e os galegos na poes\u00eda castel\u00e1 CXLII. Victoriano Cr\u00e9mer<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[7,9,10,28],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/12669"}],"collection":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12669"}],"version-history":[{"count":1,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/12669\/revisions"}],"predecessor-version":[{"id":12672,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/12669\/revisions\/12672"}],"wp:attachment":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}