{"id":13908,"date":"2021-11-03T06:00:52","date_gmt":"2021-11-03T06:00:52","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=13908"},"modified":"2021-10-28T08:20:06","modified_gmt":"2021-10-28T08:20:06","slug":"carlos-pereira-estirpe-de-poseidon","status":"publish","type":"post","link":"https:\/\/cafebarbantia.barbantia.es\/?p=13908","title":{"rendered":"Carlos Pereira. Estirpe de Poseid\u00f3n"},"content":{"rendered":"

\"As<\/a>Antonio Pi\u00f1eiro.\u00a0<\/strong><\/em><\/strong><\/em>Polas vereas mergulladas da natureza vai a gran parada dos seres vivos. O ollo do arquitecto universal disp<\/span><\/span>\u00f3<\/span><\/span>n a danza no lombo dunha estrela de mar. Cada fracci<\/span><\/span>\u00f3<\/span><\/span>n de espazo-tempo, malia o teorema euclidiano, <\/span><\/span>\u00e9 <\/span><\/span>ocupada polo anel impreciso dunha cuncha. A danza das baleas deixa a s<\/span><\/span>\u00fa<\/span><\/span>a tr<\/span><\/span>\u00e9<\/span><\/span>cola riseira ao lonxe. Desde o profundo soben <\/span><\/span>\u00e1<\/span><\/span>rbores de diatomeas mentres os peixes respiran auga de cor.\u00a0<\/span><\/span>Delicadamente simb<\/span><\/span>\u00f3<\/span><\/span>lica, intimamente filos<\/span><\/span>\u00f3<\/span><\/span>fica, afervoadamente pl<\/span><\/span>\u00e1<\/span><\/span>stica, anque minuciosa, ata o extremo dun traballo t\u00e9xtil, comprobei como a nova achega de Carlos Pereira concitou cualificaci<\/span><\/span>\u00f3<\/span><\/span>ns apaixonadas no libro de visita.<\/span><\/span><\/p>\n

Cunha tem<\/span><\/span>\u00e1<\/span><\/span>tica pr<\/span><\/span>\u00f3<\/span><\/span>xima ao bestiario, unha das m<\/span><\/span>\u00e1<\/span><\/span>is aca<\/span><\/span>\u00ed<\/span><\/span>das <\/span><\/span>\u00e1 <\/span><\/span>matriz surrealista, decateime en Carlos da actualidade de ambas. A comprensi<\/span><\/span>\u00f3<\/span><\/span>n do mundo pasou sempre pola perplexidade ante a multitude da vida, ante a transmutabilidade dos organismos, dos corpos, das s<\/span><\/span>\u00fa<\/span><\/span>as distantes orixes, formas e cambios; e iso non o pode abarcar por enteiro a realidade.<\/span><\/span><\/p>\n

Quizais sexa un aliciente para nos achegar a iso que chaman o <\/span><\/span>\u201c<\/span><\/span>gran arquitecto universal<\/span><\/span>\u201d<\/span><\/span>. Entender o vivo e mais o inerte s<\/span><\/span>\u00f3 <\/span><\/span>como facetas desa arquitectura. Matino que a raz<\/span><\/span>\u00f3<\/span><\/span>n, iso ao que n<\/span><\/span>\u00f3<\/span><\/span>s chamamos efecto do pensamento, <\/span><\/span>\u00e9 <\/span><\/span>outra. E p<\/span><\/span>\u00e9<\/span><\/span>nsoo tam<\/span><\/span>\u00e9<\/span><\/span>n ao ficar diante dunha das obras de Carlos Pereira, percibindo esa relatividade absoluta do peixe c<\/span><\/span>\u00ed<\/span><\/span>clope roldando a manda de flores al<\/span><\/span>\u00f3<\/span><\/span>ctonas. Ac<\/span><\/span>\u00ed<\/span><\/span>rrame a escolla das s<\/span><\/span>\u00fa<\/span><\/span>as centralidades, a <\/span><\/span>\u00f3<\/span><\/span>rbita das s<\/span><\/span>\u00fa<\/span><\/span>as cunchas, a asimetr<\/span><\/span>\u00ed<\/span><\/span>a coherente da danza das baleas, a conversa calada no lombo das luras, ou a indefensi<\/span><\/span>\u00f3<\/span><\/span>n impl<\/span><\/span>\u00ed<\/span><\/span>cita na orde das ringleiras que, malia as s<\/span><\/span>\u00fa<\/span><\/span>as acepci<\/span><\/span>\u00f3<\/span><\/span>ns, el non desbota, consciente da cernal verdade que reside na dualidade, na diferenza, na diversidade. <\/span><\/span><\/p>\n

Por se non me estou a explicar de vez: compacto e miudallo, animado e inanimado, cores complementarias, infinito subat<\/span><\/span>\u00f3<\/span><\/span>mico e infinito c<\/span><\/span>\u00f3<\/span><\/span>smico, polos opostos, orde e caos, son todos binomios dun equilibrio que cecais se nos escape ao entendemento, mais non <\/span><\/span>\u00e1 <\/span><\/span>intuici<\/span><\/span>\u00f3<\/span><\/span>n, que <\/span><\/span>\u00e9 <\/span><\/span>precisamente a que enceta a pescuda est<\/span><\/span>\u00e9<\/span><\/span>tica, a pescuda tras a que anda esta nova achega do Carlos.<\/span><\/span><\/p>\n

Tecnicamente pr<\/span><\/span>\u00f3<\/span><\/span>ximo <\/span><\/span>\u00e1 <\/span><\/span>ilustraci<\/span><\/span>\u00f3<\/span><\/span>n, campo no que se moveu decote, en publicaci<\/span><\/span>\u00f3<\/span><\/span>ns coma <\/span><\/span>O Loro <\/i><\/span><\/span>ou <\/span><\/span>Os habitantes do lago<\/i><\/span><\/span>, Carlos Pereira non para de sorprender pola altura <\/span><\/span>\u00e1 <\/span><\/span>que pon o concepto. A forza da idea, do tema, dos motivos, mesmo do tratamento pl<\/span><\/span>\u00e1<\/span><\/span>stico, sit<\/span><\/span>\u00fa<\/span><\/span>a cada obra no peso espec<\/span><\/span>\u00ed<\/span><\/span>fico dun gran formato ou dun significado pecho (sen que o termo <\/span><\/span>\u201c<\/span><\/span>pecho<\/span><\/span>\u201d <\/span><\/span>queira afectar aqu<\/span><\/span>\u00ed<\/span><\/span> a polivalencia que unha pintura ten sempre coma acto comunicativo aberto).<\/span><\/span><\/p>\n

Admirado na proposta de Carlos Pereira, reparo no ollo espiritual sobre a caluga dese paxaro que porta a cuncha sagrada, mentres el guicha en n<\/span><\/span>\u00f3<\/span><\/span>s e voa sobre un agro h<\/span><\/span>\u00ed<\/span><\/span>brido, no que pastan os grandes peixes do tempo.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Antonio Pi\u00f1eiro.\u00a0Polas vereas mergulladas da natureza vai a gran parada dos seres vivos. O ollo do arquitecto universal disp\u00f3n a danza no lombo dunha estrela de mar. Cada fracci\u00f3n de espazo-tempo, malia o teorema euclidiano, \u00e9 ocupada polo anel impreciso dunha cuncha. A danza das baleas deixa a s\u00faa tr\u00e9cola riseira ao lonxe. Desde o … Seguir lendo Carlos Pereira. Estirpe de Poseid\u00f3n<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[35,4,7],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/13908"}],"collection":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13908"}],"version-history":[{"count":1,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/13908\/revisions"}],"predecessor-version":[{"id":13910,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/13908\/revisions\/13910"}],"wp:attachment":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}