{"id":9390,"date":"2018-06-23T06:00:44","date_gmt":"2018-06-23T06:00:44","guid":{"rendered":"http:\/\/cafebarbantia.barbantia.es\/?p=9390"},"modified":"2018-06-15T11:58:56","modified_gmt":"2018-06-15T11:58:56","slug":"100-fotografias-de-juan-rulfo","status":"publish","type":"post","link":"https:\/\/cafebarbantia.barbantia.es\/?p=9390","title":{"rendered":"100 fotograf\u00edas de Juan Rulfo"},"content":{"rendered":"<p lang=\"gl-ES\" style=\"text-align: justify;\"><em><strong><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/image_1165_1_71574.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-9394\" alt=\"image_1165_1_71574\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/image_1165_1_71574-300x300.jpg\" width=\"300\" height=\"300\" srcset=\"https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/image_1165_1_71574-300x300.jpg 300w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/image_1165_1_71574-150x150.jpg 150w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/image_1165_1_71574-144x144.jpg 144w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/image_1165_1_71574.jpg 370w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Fidel Vidal.\u00a0<\/strong><\/em>Cando unha estudosa e admiradora de Juan Rulfo, Cristina Rivera Garza (autora da extraordinaria e inesquecible novela <i>Ningu\u00e9n me ver\u00e1 chorar<\/i>), reivindica un Rulfo menos rural e m\u00e1is de cidade, o <i>seu<\/i> Rulfo (<i>Hab\u00eda moita br\u00e9tema ou fume o non sei que<\/i>, Random House, Barcelona, 2017) ao comprobar \u201cen varios dos seus escritos o moito que Rulfo padec\u00eda e gozaba a Cidade de M\u00e9xico, \u00e1 que chegou como migrante, e como tal creo que o abraiaba e o apesaraba\u201d, pola mi\u00f1a banda te\u00f1o a ben abrir e repasar o \u00e1lbum de fotos en branco e negro que o autor mexicano ten publicado.\u00a0<!--more-->\u201cJuan Rulfo \u00e9 o mellor fot\u00f3grafo que co\u00f1ec\u00edn en Latinoam\u00e9rica\u201d, dic\u00eda Susan Sontag. Con textos de Andrew Dempsey, explorador do arquivo fotogr\u00e1fico de Rulfo, de Daniele De Luigi e V\u00edctor Jim\u00e9nez, o libro <i>100 fotograf\u00edas de Juan Rulfo<\/i> (Ed. R.M, 2010), p\u00f3dese resumir coa expresi\u00f3n: \u201cS\u00f3 son imaxes\u201d. A mesma que evoca o protagonista de <i>Pedro P\u00e1ramo<\/i>, cando o espertaron para lle dicir que o seu pai morrera. \u201cNon son recordos. S\u00f3 son imaxes\u201d, di Pedro P\u00e1ramo. As imaxes de Rulfo ser\u00edan \u201cos cimentos sobre os que constru\u00edron -ou reconstru\u00edron para Proust- os recordos\u201d. (V. Jim\u00e9nez)<\/p>\n<p lang=\"gl-ES\" style=\"text-align: justify;\">Se existe unha clave para entender o escritor Juan Rulfo, est\u00e1 \u201cnos tr\u00e1xicos anos da s\u00faa infancia\u201d. \u201cS\u00f3 co\u00f1ec\u00edn a morte\u201d, afirmaba. O seu pai foi asasinado cando el contaba seis anos. A s\u00faa nai, sen recuperarse da traxedia, faleceu catro anos m\u00e1is tarde. Criouse coa avoa materna en San Gabriel, no estado de Jalisco. A desolaci\u00f3n: sombreiros ciscados, zopilotes ao axexo, tendais con roupa branca. Lonxe de ser realista, apunta Augusto Monterroso, \u201ca realidade de Rulfo era fant\u00e1stica. Nun momento dado, Kafka e Rulfo se daban a man sen que n\u00f3s, perdidos noutros labirintos, nos d\u00e9ramos de conta\u201d.<\/p>\n<p lang=\"gl-ES\" style=\"text-align: justify;\"><a href=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-9392 alignleft\" alt=\"casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723\" src=\"http:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723-300x300.jpg\" width=\"300\" height=\"300\" srcset=\"https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723-300x300.jpg 300w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723-150x150.jpg 150w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723-1024x1024.jpg 1024w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723-144x144.jpg 144w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723-900x900.jpg 900w, https:\/\/cafebarbantia.barbantia.es\/wp-content\/uploads\/2018\/06\/casa-en-ruinas-en-actipan-el-fotografo-juan-rulfo-exposicion-museo-amparo-puebla-20170405-113723.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>En 2003 Susan Sontag, a petici\u00f3n de Andrew, aceptou escribir un texto que presentar\u00eda esta obra, mais non puido ser debido ao falecemento inesperado no 2004 de Susan Sontag, a quen se lle dedica o \u00e1lbum. Rulfo desenvolveu d\u00faas actividades creativas en paralelo: a literatura e a fotograf\u00eda. D\u00faas manifestaci\u00f3ns aut\u00f3nomas coas s\u00faas propias e diferenciadas caracter\u00edsticas: \u201cNon \u00e9 a s\u00faa literatura o complemento escrito da s\u00faa fotograf\u00eda, nin a s\u00faa fotograf\u00eda a ilustraci\u00f3n da s\u00faa literatura\u201d, di Carmen Balcells.<\/p>\n<p lang=\"gl-ES\" style=\"text-align: justify;\">Mesmo fixo amizade con Henri Cartier-Bresson, de quen escribiu unha reveladora cr\u00edtica. O fot\u00f3grafo H\u00e9ctor Garc\u00eda comentando algunhas fotos dic\u00eda: \u201cA foto desa orquestra na que non hai m\u00fasicos, na que o vento \u00e9 o ceo (\u2026) son nubes fotogr\u00e1ficas de orde metaf\u00edsica\u201d. \u201cEsas n\u00e9boas entre esas ru\u00ednas f\u00e1lannos do esp\u00edritos que habitan eses lugares, esas casas que xa non existen\u201d. Campanarios, torres de igrexa en primeiro plano, igrexas de pano de fondo, ru\u00ednas, almas en pena, campesi\u00f1os api\u00f1ados nun cami\u00f3n rumbo a Oaxaca, mulleres descansando, m\u00fasicos con tromb\u00f3n e tuba, instrumentos musicais abandonados nun bald\u00edo, Tlahuitalpec, Clara Aparicio\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fidel Vidal.\u00a0Cando unha estudosa e admiradora de Juan Rulfo, Cristina Rivera Garza (autora da extraordinaria e inesquecible novela Ningu\u00e9n me ver\u00e1 chorar), reivindica un Rulfo menos rural e m\u00e1is de cidade, o seu Rulfo (Hab\u00eda moita br\u00e9tema ou fume o non sei que, Random House, Barcelona, 2017) ao comprobar \u201cen varios dos seus escritos o &hellip; <a href=\"https:\/\/cafebarbantia.barbantia.es\/?p=9390\" class=\"more-link\">Seguir lendo <span class=\"screen-reader-text\">100 fotograf\u00edas de Juan Rulfo<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[65,32],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/9390"}],"collection":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9390"}],"version-history":[{"count":3,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/9390\/revisions"}],"predecessor-version":[{"id":9396,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=\/wp\/v2\/posts\/9390\/revisions\/9396"}],"wp:attachment":[{"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cafebarbantia.barbantia.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}